Being forced to listen to 6Music
Posted on 02.08.07 by Matt @ 4:21 pm

I really really hate 6Music. I am forced to listen to it in the office all day. Every day.

What's also very annoying is that quite a lot of people I know like it. When I was at GCap the first thing I used to look at when the RAJAR's came out was to see whether Planet Rock was still beating 6Music. Generally it did, and that made me happy. It wasn't as if I really liked Planet Rock that much either. It just pleased me that more people listened to a significantly less well funded station. Now, I know that's not very nice. It's just the way I felt.

It would be easier to hold my moral high ground if 6Music hadn't got any better since it started. But annoyingly it has. When it first started generally every link would sound like this: "here's a B side from [an unknown] single from an amazing [unknown] artist. Only twelve copies were pressed and I own eight of them". This would be at 11 o'clock in the morning. Even through my winge-tinted spectacles it's obviously better now and at least has some stationality and music flow. It does, however, reak of being white and middle class.

Case in point, they just played House of Pain, Jump Around. It's a brilliant song. A great one to dance into a nightclub to, and go 'woo' when those opening chords hit. A song that brings back memories, is passionate, revolutionary. But it was just played in a segue. I don't doubt that the jocks have passion for the music, indeed House of Pain was played by Steve Lamaq, but it's just executed in the same way that a muso would flick through some albums in a record shop, find one he liked and then nod his head and smile. It just makes it seem part of an all-knowing club that i'm not a part of.

The exellent thing about digital radio is that there's choice and I think it's good that there's a station that I don't like and other people do. I just think the danger with 6 is that it's going to appeal to a hardcore white, middle-classed audience and never grow its audience that much further. If it's the BBC station between Radio 1 and Radio 2, the one that celebrates 'music', it needs to move away from its obsession with indie-gold and embrace, Radio 3 style a true cross-section of popular music*.

*yes, yes, specialist shows exist but daytime should be the true incarnation of great music from the last 30 years.


Filed under: General Posts
Comments:

5 Comments »

  1. “Great music from the last 30 years”? What, you mean great hits from the 80s the 90’s and today? Well its a long shot brand-wise but it might just pay off I suppose.

    Comment by Nicky — August 2, 2007 @ 11:20 pm

  2. You’re so wrong, 6Music rocks.

    Their new approach of having comedian-led shows at the weekend really pays off. Especially as the presenters have the freedom to let the links go on as long as they like.

    Weekday schedule is pretty good at the moment too.

    I also get the feeling, judging from the people who phone it, that it has quite a student following - so definitely not middle-aged.

    Music Week is a bit too ‘industry’, but generally the station works well.

    And no ads :)

    Comment by Frankie Roberto — August 3, 2007 @ 9:10 am

  3. Wow, rambly links from ‘comedians’. Wooo.

    I didn’t neccessariy say it was middle-aged more middle-class. I still don’t think there’s a need for Student Radio Gold.

    Frankie, I’m afraid you still haven’t sold it to me.

    Comment by Matt — August 3, 2007 @ 10:39 am

  4. Sorry fella, 6 Music music-wise is pretty much how Xfm should sound even though the imaging isn’t as good and it’s slightly too earnest and speech heavy…. Enthusiasm for the wide range of music shines through too. You never get the ‘haven’t heard it in ages’ on Xfm or practically any other station (Radio 2 excepted maybe).

    I’d also rather listen to Keaveny than Alex Zane, Gideon Coe is as strong as ever and Lamacq’s a bit of a legend really.

    And it’s got to be better to listen to than Xu hasn’t it?

    Comment by andrewt — August 3, 2007 @ 2:39 pm

  5. Opps, I managed to read your ‘middle-class’ comment as ‘middle-aged’. Middle-class and white? Yeah, maybe. It’s certainly not urban.

    The point about 6Music is its music cred though, which as andrewt says, is fairly rare elsewhere. By definition that makes it less mainstream and less about popular music, but surely that kind of middle ground is more than adequately catered for elsewhere?

    It might never grow its audience much (though ought to be able to retain its share of a growing digital radio audience), but that shouldn’t matter that much - 6Music needs to stay fairly niche to retain its appeal.

    Comment by Frankie Roberto — August 8, 2007 @ 6:18 pm

RSS feed for comments on this post. TrackBack URI

Leave a comment

Line and paragraph breaks automatic, e-mail address never displayed, HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

(required)

(required)



Matt Deegan is the Creative Director at Folder Media, a radio and new media consultancy that helps other people and develops its own social media, digital platforms and radio. You can contact him here. He also blogs for Media Week at Brand Republic.

Main Menu
Home
About Me
Contact Me

RSS Feed

Stalker Feed

Web2.0
Matt on Flickr
Matt on YouTube
Matt on MySpace
Matt on Facebook
Matt on LinkedIn
Matt on Twitter

Search

Status Updates
    Follow me on Twitter

    Links
    Alan Mason
    Ambrose Heron
    Andrew Collins
    Ashley Temple
    Authentic Buzz
    ASRA
    Ben Metcalfe
    Bern Leckie
    Biz Stone
    Caterina Fake
    Chill Blog
    Chris Evans
    Chris Moyles
    Dan Gillmor
    Danny O'Brien
    Dave Gorman
    Dave Winer
    David Madelin
    David Galbraith
    David Weinbeger
    Euan Semple
    Evan Williams
    Frankie Roberto
    Glenn Fleischman
    Ian and Leanne
    Ian Forrester
    Ian Joliet
    James Boardwell
    James Cridland
    Janus Friis
    Jason Calacanis
    Jason Kottke
    Jason Shellen
    Jeremy Zawodny
    John Baish
    John Handelaar
    John Ousby
    Joi Ito
    Lee Abrams
    Mark Lucovsky
    Malcom Gladwell
    Mark Fletcher
    Martin Belam
    Matt Bidulph
    Matt Cutts
    Mike Davidson
    Mike Hawkyard
    Nick Denton
    Nick Piggott
    Nik Goodman
    Om Malik
    Open Rights Group
    Paul Earwker
    Paul McNally
    Paul Smith
    Mark Ramsey
    Richard Herring
    Rob Manuel
    Robert Scoble
    Rod McKenzie
    Sam Potts
    Schulze & Webb
    Simon Waldman
    Simon Willison
    Squeezypaws
    Stewart Butterfield
    The Lock-in
    Tim Berners-Lee
    Tom Coates
    Trevor Dann
    Tristan Ferne
    Will's Pub Guide
    Zak de Luxe

    Syndication
    RSS

    Credits and Copyright
    Proudly powered by WordPress.
    All content © 2005-2007 Matt Deegan

    Email updates
    Enter your email address to get new posts direct to your inbox:


    Blog Posts I Like

    Radio Listening
    I'm currently enjoying: Fox FM
    Website / Listen Live


    Archives
    May 2008
    April 2008
    March 2008
    February 2008
    January 2008
    December 2007
    November 2007
    October 2007
    September 2007
    August 2007
    July 2007
    June 2007
    May 2007
    April 2007
    March 2007
    February 2007
    January 2007
    December 2006
    November 2006
    October 2006
    September 2006
    August 2006
    July 2006
    June 2006
    May 2006
    April 2006
    March 2006
    February 2006
    January 2006
    November 2005
    October 2005
    September 2005
    April 2005

    Recent Entries
    Holiday Break
    DAB Digital Radio Listening Continues to Grow
    Radio 1 Does Okay on Web Traffic
    Anti-Social Networking
    Radiopaq- Stealing Radio Streams
    Radio 1 Terms and Conditions
    Not Backing Boris
    Networking Frenzy
    Radio 1 Using Facebook Events
    Idiots of Ants do Facebook
    XFM News
    Radio Station Marketing
    Pizza Hut April Fool
    Global Radio Buys GCap Media
    Poor Kristy