Some things I’ve noticed from this quarter’s RAJAR…
Another good quarter for digital radio. 41.9% of all radio listening in the UK is on a digital platform (two-thirds of that is through DAB). 63% of the country listen to some form of digital radio each week – that’s 30m listeners. 20m listeners listen to DAB each week, 9m listen online and 7.7m tune in through their telly.
I really feel for you if you’re radio station isn’t on some broadcast digital platforms. The real world effect of that 41.8% means that your available audience is now only 60% of the market, a huge handicap before you’ve even started.
National digital stations are now huge parts of UK radio listening. Absolute 80s has 1.5m, Kisstory 1.3m, Kerrang’s on 820k, Heat’s on 912k, Planet Rock on 1.2m, 6Music on 2.1m, 1Xtra on 1.1m and Radio 4 Extra with a super strong 2.2m.
With hybrid analogue/digital networks – Magic doubles its London FM audience – now reaching 3.4m and Smooth Extra (the Smooth that fills in the gaps of the FM Smooth’s) has a first book of 930k.
If you’re a stand-alone local station wondering where your audience is going – this is the answer!
- Radio 1 has had its 2nd lowest 15-24 reach ever.
- The Radio 1 Breakfast show has its lowest ever 15-24 reach
- 15-24’s make up the (joint) lowest proportion of its total audience ever.
- 15-24’s make up the third lowest proportion of the Breakfast Show’s total audience ever.
- Radio 1’s average age is the second highest it’s been in the last ten years.
I don’t envy Radio 1’s challenge. Getting younger audiences to listen to the radio is hard and it maintains a huge heritage with older audiences. Nick’s breakfast show is sounding better than it has for a long time and it still generates a 22% share of 15-24s – which is impressive.
However, it is Radio 1’s job to fix the problems above. It gets £40m to ensure that it can do an exceptional job of catering for young audiences. Kiss and Capital have as much heritage but manage a younger average age. Capital, with much worse distribution manage nearly 80% of R1’s 15-24 reach and beats it for 10 to 14s. R1’s budget and marketing access give it massive advantages that it should be benefiting from.
In its RAJAR press release Radio 1’s Controller trumpets the YouTube reach (1m views a day and 85% of audience aged 13-34). I think this makes the on air figures all the more disappointing. R1 has built an amazing YouTube platform with loads of great content, however it does virtually nothing to get the people it reaches to listen to the radio. Of the last five videos I can see – Innuendo Bingo, Derulo Live Lounge, Bieber on Grimmy, Pia Surprise Karaoke/Edmondson, Pewdiepie – the only one that has any reference to on-air, sort of, is PewdiePie where the description mentions that you can watch the takeover show on the Radio 1 website on a certain day. Even then it fails to mention that it’s also on the radio.
With the rest there’s no reference to how you can listen to Scott/Clara/Nick/Matt or when you should tune in. Hiding behind ‘teens don’t listen to the radio’ is easier to do when you not using your relationships with them to encourage them to listen to the radio.
Radio 1 is full of great content, so why at the end of Nick’s Bieber vid didn’t they say who’s the next big guest, what day they’re on and how to listen? Same for the Live Lounge. Why isn’t Clara IDing it reminding us to listen in the morning?
If you haven’t watched it, there’s a great clip with Greg James and Vin Diesel (stay with me) where he gets quite emotional about the Live Lounge. These are the sort of connections with audiences we would sell our Mums to get hold of – it’s such a wasted opportunity not to take this passion and use it to generate more value for the station.
There of course is an argument that Radio 1 is not just a radio station, but the BBC’s vessel for reaching young audiences and therefore YouTube, the iPlayer channel, Twitter etc all work as their own unique platforms and they should be creating specific content for those channels. I just don’t buy it. Radio 1 has a service licence that almost entirely concentrates on being a radio station – digital platforms are there to support the radio. Not the other way around.
London remains such a competitive place commercially. Capital’s had a bit of a resurgence over the past few quarters, this time winning the city in share, but losing out by around 3,000 listeners to Kiss for the biggest reach.
It’s the last book for XFM before it becomes Radio X and we see how Moyles is getting on. As is often the case, it’s had a great book! Biggest network figures since 2007 and best London numbers for two years. There’s often a similar peak when presenters are working out their last quarter – does the lack of pressure allow everyone to be a purer version of themselves and become more successful? Discuss.
Key 103 still faces quite a bit of trouble. Its figures are similar to last quarter, though Heart North West now has more hours in its TSA – taking Key from commercial number 3 to commercial number 4.
Jack (and Jack 2) have been plugging away on their target to being bigger in reach terms than Heart (the old Fox FM) in their TSA. The combined Jack and Jack 2 are now just 4,000 listeners behind Heart – an impressive feat. Whilst being neck and neck isn’t going to worry Global that much, for a local operator it gives them a great angle when talking to local advertisers and pushing up their rates.
A good result for Orion, quarter on quarter increases for all of their stations and for most, year on year increases too. There’s also a great reach figure for Gem of 476k – up there with its best ever quarters.